Pop Culture
Grammy Nominated Global Artist Camilo teams up with Bollywood Star Diljit Dosanjh on new song Palpita
Listen to the fusion of Spanish and Punjabi in the latest song, Palpita by Diljit Dosanjh and Camilo. Here’s everything you need to know
GRAMMY nominated and five-time Latin GRAMMY winner, critically acclaimed singer-songwriter and producer Camilo teamed up with Urban Desi artist and Bollywood star Diljit Dosanjh on new song “Palpita,” an original track released for the second season of Coca-Cola’s global music campaign COKE STUDIO. “Palpita” represents an incredible coming together of cultures with Camilo singing in Spanish, and Diljit singing in Punjabi. The new single validates the power of bringing people together through music and to create meaningful connections across different languages. This release also comes off the heels of Camilo headlining two music festivals in Japan for the first time to rave reviews and massive crowds.
“I have always felt a fascination for Indian culture and its traditions,” says Camilo. “I had the chance to go once and fell in love with it. Years later, I noticed what’s happening with Punjabi music and how artists like Diljit, are crossing over and sharing their music, culture, and sound worldwide. I’ve admired Diljit for a long time, long before this collaboration came to me, so it was an incredible surprise to see it all come to life. Working with him in the studio was a valuable learning experience because I had the chance to truly see and feel his huge heart, the richness of his melodies, his kindness, and the one of his team. This song makes me very proud, not just because we did it but what it means in my career and what we are building between his country and mine.”
“Collaborating with the incredibly talented Latin artist Camilo on ‘Palpita’ for Coke Studio has been a truly enriching experience,” says Diljit. “Music has this extraordinary ability to bridge cultures and create an unbreakable bond among people, and this collaboration exemplifies that beautifully. Working on this project has been an absolute joy, and I’m eagerly looking forward to sharing our Latino X Punjabi musical fusion with the world. I hope ‘Palpita’ resonates deeply with listeners and brings a sense of unity and joy to everyone who listens.”
The new single marks Camilo’s second track of the summer for COKE Studio. He was previously featured on Jon Batiste’s song “Be Who You Are (Real Magic)” with other global power house artists including NewJeans, J.I.D, and Cat Burns. “Be Who You Are (Real Magic)” was the first track to officially kick off season two of the worldwide COKE Studio campaign.
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Beauty
Harsh Chaudhary & Tarushi Dobhal Crowned Mr & Miss Uttarakhand 2026
Dehradun, April 12, 2026 — The grand finale of Mr & Miss Uttarakhand 2026 was held with great enthusiasm at Hotel Regenta, drawing participants and audiences from across the state. The event was presented by Maya Devi University and organised by Himalayan Buzz in association with Dharma Creation.
Tarushi Dobhal was crowned Miss Uttarakhand 2026, while Harsh Chaudhary secured the title of Mr Uttarakhand 2026, emerging as the top talent of the evening. Vanshita Kandpal and Lokpal Pokhriyal were honoured as Miss Uttarakhand Model of the Year and Mr Uttarakhand Model of the Year, respectively.
In the runners-up categories, Neha Mahara and Prakash Rana were declared 1st Runners-up, while Shivam Bhatt and Lata Koranga earned the titles of 2nd Runners-up.

The competition saw participation from across Uttarakhand, with 36 finalists selected through auditions conducted in Dehradun and Haldwani. Contestants underwent professional grooming sessions and took part in various sub-contests, showcasing their talent, confidence, and personality. Several subtitles and awards were also presented during the event.
The judging panel comprised notable personalities, including Kshitiz Doval (Founder of UNHU), Tushar Shahi (Mr Uttarakhand 2026), Rahul Gupta (Founder of Vastukar Associates), Seema Kashyap, and Lavanya Ahuja (Founders of The Frontrow Couture), along with restaurateur Aneesh Virmani and Aniruddha Raithwan (Founders of AAR Hotels).
During the event, Dr Tripti Juyal Semwal, Vice President of Maya Devi University, addressed the audience, highlighting the institution’s vision and its commitment to empowering youth through platforms like this.
This edition marked the 10th anniversary of Mr & Miss Uttarakhand by Himalayan Buzz, celebrating a decade of promoting talent, fashion, and youth empowerment across the region.
Fashion
Top Fashion Trends 2026 You’ll See Everywhere
Fashion in 2026 is not just about what you wear it’s about how you express identity, embrace innovation, and align with a more conscious lifestyle. This year, the industry is witnessing a powerful shift where technology meets sustainability, and individuality takes center stage. From runways to street style, here are the top fashion trends that are set to dominate everywhere in 2026.
1. Tech-Infused Fashion Takes Over
The fusion of fashion and technology is stronger than ever. Smart fabrics, temperature-responsive clothing, and wearable tech are becoming mainstream. Expect outfits that change color based on mood or environment, and accessories that double as gadgets. Fashion is no longer static it’s interactive and functional.

2. Hyper-Personalized Style
Mass production is taking a backseat as customization becomes key. Consumers are gravitating towards made-to-measure pieces, DIY fashion, and brands that allow personalization. From monogrammed details to fully custom silhouettes, 2026 is all about wearing something that feels uniquely yours.

3. Sustainable and Circular Fashion
Sustainability is no longer a trend it’s a necessity. In 2026, eco-conscious fashion is at its peak, with brands focusing on recycled materials, biodegradable fabrics, and circular production models. Thrifting, upcycling, and renting outfits are becoming lifestyle choices rather than alternatives.

4. Bold Maximalism
Minimalism is making room for bold, expressive styles. Think vibrant colors, exaggerated silhouettes, mixed prints, and statement accessories. Maximalism in 2026 is about confidence layering textures, patterns, and colors without hesitation.

5. Gender-Fluid Fashion
Traditional fashion boundaries are fading. Gender-neutral clothing is becoming a norm, with designers creating collections that are inclusive and versatile. Fluid silhouettes, neutral tones, and adaptable designs are redefining how fashion is perceived.

6. Retro Futurism
2026 fashion draws inspiration from the past while looking ahead. Y2K aesthetics blend with futuristic elements metallic fabrics, holographic finishes, and sci-fi-inspired designs. It’s nostalgia reimagined for a modern world.

7. Elevated Athleisure
Comfort continues to dominate, but with a luxe upgrade. Athleisure in 2026 is more polished, combining performance wear with high-fashion elements. Think tailored joggers, structured hoodies, and premium fabrics that transition seamlessly from gym to social settings.

8. Statement Accessories
Accessories are no longer just add-ons they are the highlight. Oversized bags, sculptural jewelry, futuristic eyewear, and bold footwear are taking center stage. In 2026, even the simplest outfit is elevated with the right statement piece.

9. Digital Fashion & Virtual Wear
With the rise of the metaverse and digital platforms, virtual fashion is gaining traction. People are investing in digital outfits for social media, gaming, and virtual events. This trend is redefining ownership and creativity in fashion.

10. Earthy Tones & Organic Textures
While bold colors are trending, there’s also a strong shift toward nature-inspired palettes. Earthy tones like terracotta, olive, sand, and deep browns are dominating collections, paired with organic textures like linen, hemp, and raw cotton.

Fashion in 2026 is a reflection of a world that values innovation, inclusivity, and sustainability. It’s about breaking rules, embracing individuality, and making conscious choices. Whether you lean toward bold maximalism or eco-minimalism, this year’s trends offer something for everyone.
Also Read: 5 Life Lessons Only Moms Can Teach You
Entertainment
Remembering Asha Bhosle and the Career That Defined Generations of Indian Music
Asha Bhosle spent 80 years in Indian music and managed to stay relevant through every single shift it went through. That is the part of her story that does not get talked about enough.
Asha Bhosle passed away this morning in Mumbai. She was 92. And if you grew up in India, or in any household where Hindi music played, you already know what that means without us having to explain it. She recorded over 12,000 songs across 20 languages. She held a Guinness World Record. She won two National Awards for two completely different styles of singing, six years apart. She debuted as an actress at 79 and got critical acclaim for it. She was still performing on international stages at 80.
Most people will spend today sharing their favourite song of hers. That is the right thing to do. But it is also worth taking a minute to actually look at how she built all of this, because the career itself is a story that does not get told enough. The word “legend” gets thrown around so casually that it has lost all its weight. In Asha ji’s case, the facts alone do the talking. No adjectives needed.
She started singing to feed her family. At age 9.
She recorded her first chorus song, “Chala Chala Nav Bala,” for the Marathi film Maze Baal in 1943, at the age of 10. Her father, Pandit Deenanath Mangeshkar, had died a year before that. The family had moved to Bombay. There was no plan B. So Asha and her sister Lata walked into studios and sang. Not as a hobby or a dream. As survival. That is where this entire story begins.

She was handed the songs nobody else wanted. And she turned them into classics.
In 1949, at just 16, Asha Bhosle eloped with Ganpatrao Bhosle, who was 31 at the time and worked as the personal secretary to her elder sister, Lata Mangeshkar. After she was cast out by her family, she was handed assignments that others refused, usually singing for the vamps in B and C grade movies. The industry had already decided she was second. She was Lata’s rebellious younger sister, the one who made a mistake. So they gave her the leftover roles, the item numbers, the cabaret songs, the characters that polite society looked away from. She took every single one and made it unforgettable. Piya Tu Ab To Aaja. Yeh Mera Dil. O Haseena Zulfonwali. Songs that were meant to be throwaway moments in forgettable films. They outlived the films, the directors, and nearly everyone involved in making them.
![O Haseena Zulfonwali Jaane Jahan - Mohammad Rafi - Asha Bhosle - Teesri Manzil [1966]](https://i.ytimg.com/vi/TfTpZVgc05o/maxresdefault.jpg)
When Teesri Manzil came along in 1966, she almost said no.
When she first heard the dance number “Aaja Aaja,” she felt she would not be able to sing this westernised tune. R.D. Burman offered to change the music. She refused, took it as a challenge, and completed the song after ten days of rehearsals. That song, and that film, changed everything. It also began her collaboration with R.D. Burman, which would eventually become one of the greatest musical partnerships in Indian history. And eventually, a marriage.
She reinvented herself completely in 1981. At age 48.
By the early 80s, the industry had put her in a box labelled “cabaret and pop.” Then Umrao Jaan happened. Music director Khayyam dropped her pitch half a note for the film, and she was surprised she could sing so differently. The result was Dil Cheez Kya Hai, In Aankhon Ki Masti, Yeh Kya Jagah Hai Doston. Pure, aching, classical ghazals. She won her first National Film Award for those songs. The woman they had called a cabaret singer walked away with the highest honour in Indian cinema for some of the most restrained, soulful singing you will ever hear. Then, six years later, she won a second National Award for Mera Kuchh Saamaan from Ijaazat.
She was still reinventing herself in her 60s. With Boy George. And A.R. Rahman.
In the early 1990s, she sang with Boy George on “Bow Down Mister.” In 1997, she sang a love song with the boy band Code Red, at the age of 64. That same year, she became the first Indian singer ever nominated for a Grammy, for her classical album with Ustad Ali Akbar Khan. And in 1995, when A.R. Rahman was still a new name in Bollywood, he came to her for Rangeela. Tanha Tanha. Rangeela Re. A 62-year-old woman making a 22-year-old actress, Urmila Matondkar, sizzle on screen. Nobody asked questions. It just worked, because it was Asha Bhosle.
British band Cornershop wrote an entire international hit song about her. In 1997.
The British band Cornershop paid tribute to Bhosle with their song “Brimful of Asha,” which became an international hit and was later remixed by Fatboy Slim. A song about an Indian playback singer, topping charts in the UK. That is the kind of cultural reach that no PR team engineers. It just happens when someone’s work is genuinely that significant.
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The Guinness World Record. 12,000 songs. 20 languages.
In 2011, the Guinness Book of World Records officially acknowledged her as the most recorded artist in the history of music. Over 12,000 songs. Hindi, Marathi, Bengali, Gujarati, Tamil, Punjabi, Urdu, and more. Ghazals, bhajans, qawwalis, Rabindra Sangeet, cabaret, pop, disco, classical, folk. Across eight decades. With composers ranging from O.P. Nayyar in the 1950s to A.R. Rahman in the 1990s to collaborations with the Kronos Quartet in the 2000s. No living artist on earth holds that record. Possibly no future artist ever will, because the industry that produced those 12,000 songs, that golden era of sitting in a studio with a full orchestra and recording five songs in a day, that world is gone.
She debuted as an actress at 79. And got critical acclaim.
In 2013, she made her debut as an actress in the Marathi film Mai, and received critical acclaim for her performance. Most 79-year-olds are done proving things. She was just getting started with a new medium. The reason her legacy cannot be replicated is not just the numbers, though the numbers are staggering. It is the fact that she built all of it from a position of near-total disadvantage. The music industry has changed completely since she started. Studios, orchestras, the way songs are made, the way they are consumed, all of it is unrecognisable from 1943. She outlasted every single version of it. Trends came and went, composers came and went, entire eras of Hindi cinema came and went, and Asha Bhosle was still there, still recording, still relevant. That, more than any Guinness record or national honour, is probably the most honest measure of what kind of artist she was.

A voice like hers comes along once. We were lucky it came along in our lifetime.
Also Read: The Biggest Moments for Indian Cinema at Cannes 2025 That Had Everyone Talking
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