From global icons trying something new to internet-breaking moments, here’s everything that had people talking this week. 

Netflix and Balaji Telefilms Join Forces for Long-Term Creative Partnership

Netflix has announced a long-term collaboration with Ekta Kapoor’s Balaji Telefilms to develop a range of projects across multiple storytelling formats. The partnership aims to bring fresh, culturally rooted content to audiences, with an untitled series already in advanced development. The collaboration will span Balaji Telefilms, Balaji Motion Pictures, and Balaji Telefilms Digital.

NMACC to Host 3-Day ‘India Weekend’ Celebration in New York This September

The Nita Mukesh Ambani Cultural Centre (NMACC) is set to bring a slice of India to New York City with a three-day cultural event this September. Taking place from September 12 to 14 at Lincoln Center, the event led by Reliance Foundation chairperson Nita Ambani will celebrate the richness of Indian art, culture, and heritage on a global stage.

Tom Felton Returns as Draco Malfoy in Harry Potter and the Cursed Child

Tom Felton, best known for his portrayal of Draco Malfoy in the Harry Potter film series, is making a much-anticipated return to the Wizarding World and this time on stage. The actor is set to reprise his role as Malfoy in the Broadway production of Harry Potter and the Cursed Child, marking his debut on the iconic New York stage.

Set 19 years after the events of Harry Potter and the Deathly Hallows, The Cursed Child follows a new generation of Hogwarts students while revisiting beloved characters from the original saga. Felton’s return as Draco Malfoy offers fans a rare opportunity to see one of the franchise’s most complex characters evolve in a new medium.

Ed Sheeran Sings in Punjabi with Arijit Singh in New Track ‘Sapphire’

Ed Sheeran has taken his love for India a step further by singing in Punjabi for the first time in his new song Sapphire. Teaming up with Arijit Singh, the track blends Sheeran’s signature style with a desi twist.

The video, shot during his India tour, shows Ed exploring local streets, playing football with kids, and visiting iconic spots across the country. There’s also a blink-and-you-miss-it cameo by Shah Rukh Khan that fans loved.

Sydney Sweeney’s Limited-Edition Soap Featuring Her Bathwater Sells Out Within Seconds

In what might be the most unexpected collab of the year, Sydney Sweeney teamed up with Dr. Squatch to launch a quirky new product: a bar of soap made with her actual bathwater. Yes, you read that right.

The soap, cheekily named Sydney’s Bathwater Bliss, dropped online and vanished just as fast, selling out almost instantly. Fans rushed to get their hands on it, causing the website to crash within minutes of launch. The stunt has led to all kinds of reactions online, some amused, some amazed, and plenty of people still trying to figure out if this is peak celebrity culture or just a really clever marketing move.

Enzo Staiola, Beloved Child Star of Bicycle Thieves, Dies at 85

Italian actor Enzo Staiola, best known for his role as the young Bruno in Vittorio De Sica’s classic film Bicycle Thieves, passed away on June 6 at the age of 85.

Bicycle Thieves is widely regarded as a landmark of Italian neo-realist cinema. The film tells the poignant story of a father and son navigating the challenges of post-war society as they search for the father’s stolen bicycle, a vital tool for his livelihood. Enzo Staiola’s performance as Bruno left a lasting impression on audiences worldwide and remains an iconic part of film history.

Also Read: Your Wardrobe Might Be Reflecting a Recession

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Indian celebrities made a powerful style statement at the Met Gala 2025, turning heads with looks that beautifully fused tradition, tailoring, and modern glamour.

The Met Gala 2025, held on May 5 at the Metropolitan Museum of Art in New York City, was a dazzling spectacle of fashion, art, and cultural commentary. This year’s theme, “Superfine: Tailoring Black Style,” drew inspiration from Monica L. Miller’s 2009 book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. It celebrated Black dandyism, a sartorial movement rooted in the 18th century that challenged social hierarchies through polished menswear and expressive style. The dress code, “Tailored for You,” encouraged personalized interpretations of tailoring, emphasizing identity, creativity, and cultural resonance.

Marking the first Costume Institute exhibition focused solely on menswear since 2003’s Men in Skirts, the 2025 edition was curated by Monica Miller herself. It explored Black dandyism as both an aesthetic and political construct, highlighting its influence on Black identities across the Atlantic diaspora. Organized around 12 characteristics—Ownership, Presence, Distinction, Disguise, Freedom, Champion, Respectability, Jook, Heritage, Beauty, Cool, and Cosmopolitanism—the exhibition invited attendees to reimagine tailored silhouettes with individual flair.

Historically a subversive act of self-expression, Black dandyism used impeccable style to assert identity and defy stereotypes—making it a powerful lens for this year’s fashion narrative. Indian celebrities made a historic impact on the red carpet, seamlessly blending global glamour with Indian craftsmanship.

Here’s an in-depth look at their standout looks, the designers behind them, and how they interpreted the theme.

Shah Rukh Khan

Bollywood’s “King Khan” made a historic debut as the first Indian male actor to attend the Met Gala, commanding attention in a custom black sherwani by Sabyasachi. Featuring a structured silhouette with intricate embroidery, the ensemble was styled with talismanic chains, a jewelled brooch, and a vintage-inspired cane—evoking old-world charm with modern gravitas. The look fused Indian tradition with Parisian tailoring, nodding to the exhibition’s themes of Heritage and Distinction. A bold, oversized ‘K’ necklace added a personal statement, solidifying his presence as a global fashion icon.

Shah Rukh’s outfit captured the dandy’s signature Presence and Cosmopolitanism, blending regal Indian aesthetics with the tailored precision emblematic of Black dandyism. The sherwani’s clean lines and lavish detailing honored the theme’s celebration of polished menswear, while his accessories introduced a theatrical flair, echoing the dandy’s love for bold self-expression.

Kiara Advani

Kiara Advani, expecting her first child with Sidharth Malhotra, made a radiant Met Gala debut in a breathtaking Gaurav Gupta gown. The sleek black dress featured an antique gold breastplate adorned with crystals and droplets, forming a sculptural silhouette that celebrated both strength and vulnerability. The flowing train and intricate embellishments narrated a deeply personal story of motherhood, aligning with the theme’s focus on tailored self-expression and identity.

Merging Indian craftsmanship with the dandy’s flair for bold, refined silhouettes, the look embodied themes of Freedom and Beauty. The structured breastplate evoked power and resilience, while the soft drapery symbolized creation and transformation—making her appearance a poignant tribute to life, femininity, and evolving identity.

Diljit Dosanjh

Diljit Dosanjh, the singer-actor with global acclaim, made a powerful Met Gala debut in a custom sherwani suit by Prabal Gurung. The all-black ensemble featured sharp tailoring paired with a majestic cape embroidered in Sikh Gurmukhi script, a tribute to his Punjabi roots. A handcrafted turban by Indian artisans completed the look, adding a regal touch that stood out on the red carpet.

Diljit’s outfit wasn’t just fashion—it was a statement. Inspired by Maharaja Bhupinder Singh, his look honored the legacy of a royal who lived in exile, representing resilience and cultural pride. The sharp sherwani silhouette reflected the polished elegance of Black dandyism, while the script and turban made his identity unmistakably clear. The flowing cape added drama and distinction, turning his appearance into a bold celebration of heritage, strength, and self-expression.

Priyanka Chopra Jonas 

Priyanka Chopra Jonas, making her fifth Met Gala appearance, turned heads in a striking polka-dot Balmain suit-dress designed in collaboration with Olivier Rousteing. The look featured a sharply tailored blazer with exaggerated shoulders, paired with a flowing skirt that added movement and drama. Styled with statement Bvlgari jewellery, the outfit brought together elegance and attitude, channeling a retro mob-wife vibe with a touch of old-money glamour.

Her ensemble reimagined the classic dandy suit through a feminine lens, blending structure with softness. The bold polka dots and vintage styling echoed the playful confidence of Black dandyism, while the strong tailoring kept it rooted in the theme’s menswear core. With her signature confidence, high-shine jewels, and effortless presence, Priyanka delivered a look that was cool, cosmopolitan, and completely her own.

Isha Ambani

Isha Ambani stunned at the Met Gala in a stunning Anamika Khanna creation that mixed vintage elegance with modern style. The outfit featured a perfectly tailored jacket with a crisp collar and a beautifully embroidered waistcoat, blending sophistication with artistry. Drawing inspiration from African textiles and global craftsmanship, the design was a true tribute to cultural artistry. The corset, detailed with geometric patterns, subtly tied into the evening’s theme, adding depth to her look.

For her beauty, Isha kept it fresh with dewy makeup and a sleek, long braid that complemented the outfit perfectly. The gown took an impressive 20,000 hours to create, with pearls, semi-precious stones, and heirloom gems—some of which came from the Ambani family’s private collection—giving it a truly personal and luxurious touch.

Natasha Poonawalla 

Natasha Poonawalla, styled by Anaita Shroff Adajania and Lakshmi Lehr, wowed at the Met Gala with a Manish Malhotra look that was a true masterpiece of storytelling through fashion. The outfit featured a corseted, sculpted silhouette that beautifully merged the intricate tradition of Indian Gara embroidery with the bold structure of Western tailoring. The standout piece was a reimagined fishtail skirt, crafted from two antique Gara saris. The hand-embroidered fabric carried the weight of generations, each stitch telling a tale of craftsmanship and artistry.

The black Gara jacket, embroidered with the rare ektaar technique, symbolized a seamless flow of tradition and modernity, with its continuous pattern serving as a quiet act of defiance. Underneath, Natasha paired a vintage French lace bralette, delicately finished with pearls, with a corset-cummerbund. The result was a harmonious blend of understated elegance and the flamboyant flair typical of dandyism.

Mona Patel 

Mona Patel made a bold statement at the Met Gala 2025, wearing a custom Thom Browne creation that perfectly blended bespoke tailoring with cultural storytelling and a futuristic edge. Her red carpet look stood out for its precision and creativity, fusing traditional craftsmanship with a forward-thinking vision. Accompanied by a robotic dog on a diamond leash, Patel’s entrance was as cinematic as it was stylish, redefining the art of making a memorable impact on the red carpet

Manish Malhotra

Renowned designer Manish Malhotra made his Met Gala debut in a majestic black tailored tuxedo from his own label. The tuxedo featured subtle embellishments and a modern cut, exuding understated elegance. Statement jewellery, including a bold brooch, added a touch of Bollywood bling.  

Manish’s look embodied Respectability and Cool, using classic tailoring to honor the theme’s menswear focus while infusing it with Indian flair. The tuxedo’s clean lines and luxurious details reflected the dandy’s polished aesthetic, making a strong case for Indian designers on the global stage.  

Sabyasachi Mukherjee

Sabyasachi Mukherjee, attending his second Met Gala, graced the red carpet in a bespoke ensemble from his own label, reaffirming his stature as both a designer and a style icon. His look was a masterclass in understated opulence, featuring a hand-quilted oversized court jacket and sherwani crafted from hand-dyed Murshidabad silk, layered over a satin shirt. He completed the outfit with black quilted trousers, a kamarbandh, and custom-embroidered shoes from Sabyasachi Accessories.

Met Gala 2025 was a triumph of style and substance, with Indian celebrities stealing the spotlight through thoughtful, theme-driven looks. The “Superfine: Tailoring Black Style” theme, rooted in the legacy of Black dandyism, provided a rich framework for creativity, and India’s representatives rose to the occasion with unparalleled elegance. 

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Also Read: Dupatta Labeled as European Aesthetic is a Case of Cultural Erasure

As the dupatta is rebranded as a “Scandinavian aesthetic,” communities are left questioning whether the globalisation of fashion aesthetics—without proper context—leads to quiet cultural erasure.

In a time when fashion is more global than ever before, cultural crossovers are bound to happen. But when traditional garments are rebranded under trendy, Western labels without proper context or credit, it brings up uncomfortable questions about respect, representation, and recognition. Recently, a new controversy emerged online when social media users pointed out how the dupatta—a piece of clothing that has been a staple in South Asian wardrobes for centuries—was being reimagined as part of a so-called “Scandinavian fit.” Influencers, often white women, began pairing flowing scarves or sheer wraps with minimalistic outfits and tagging them as Nordic-inspired silhouettes. But for many in South Asian communities, this wasn’t innovation but appropriation masquerading as aesthetic.

The dupatta, which holds historical, cultural, and spiritual value across regions in India, Pakistan, and Bangladesh, is not simply a piece of cloth but a marker of identity, modesty, and beauty. So, to see it stripped of its origins and renamed without acknowledgment felt deeply personal to many. This trend, while seemingly harmless to some, touched a nerve because it followed a familiar pattern—the mislabeling or rebranding of cultural elements by those with more power or reach, often for profit or popularity. It reminded people of when “chai” became “chai tea latte” or when henna was sold as “festival face art” without any mention of its roots in South Asian or Middle Eastern cultures.

While some argued that certain flowing garments may have historical connections across Persia or parts of Europe, the very specific rebranding of a garment so central to South Asian culture as “Scandinavian” overlooked its deeply rooted presence in the subcontinent. The issue was not that scarves were being worn but the erasure of origin, the lack of credit, and the tone-deaf celebration of what was being presented as new, when in fact it was ancestral.

This moment reflects a broader, ongoing issue where cultural artifacts—especially those from marginalized or colonized communities—are reinterpreted through a Western lens and marketed without proper understanding. From lehengas being dubbed “Y2K two-piece sets” to bindis being sold as “face jewels” on festival websites, from Maasai beadwork being called “boho chic” to henna being rebranded as “temporary tattoos,” the cycle of cultural erasure repeats itself again and again. And often at the center of this are influencers and fast fashion brands, who chase trends without pausing to research the heritage behind the styles they promote.

On platforms like Shein, one can easily find dupatta-inspired garments being sold as “Ibiza wraps,” completely detached from their original makers—many of whom are Indian artisans who spend months weaving and dyeing these pieces by hand. These knockoffs are cheaper, faster, and trendier—but they come at a cost. The economic impact of this erasure is devastating for communities that rely on craft for livelihood. Maasai artisans lose business as their designs are replicated and mass-produced. Henna artists see their culturally significant work repackaged in plastic kits, marketed to festival-goers. Indian weavers struggle to keep up with global retailers who capitalize on their legacy without crediting it.

But the impact isn’t just economic—it’s emotional too. For many South Asian youth growing up in the diaspora, symbols like the dupatta, the bindi, or mehndi are deeply personal. They are ways to stay connected to a heritage that is already fragile in a world where assimilation is often the price of acceptance. When those symbols are rebranded, repackaged, or dismissed as trends, it can feel like yet another piece of home is being taken away.

Yet, amid all this, social media has also become a place for resistance. While it has played a role in spreading these trends, it has equally empowered people to speak out against them. South Asian creators, fashion historians, and cultural commentators are using social media platforms to call out appropriation, educate their audiences, and reclaim their narratives. 

This isn’t a call to stop sharing styles or inspirations—it’s a call to do so with care. Cultural exchange is beautiful when it comes with respect, when credit is given where it’s due, and when the original communities are included, not excluded. The exchange must be reciprocal. It must credit the source, compensate the maker, and respect the context. As fashion continues to globalize, it’s crucial we don’t lose sight of where it all began—and the people who kept it alive.

Also Read: Your Wardrobe Might Be Reflecting a Recession

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